Rowan Gillespie’s “Famine,” in Dublin. A dramatic installation on Custom House Quay beside the Liffey, this group of bronze figures – life-sized but stooped and achingly thin – appear to be taking halting steps toward emigration ships. Hollow-eyed, some carrying bundles, one a weary child, the figures stand together; yet in their misery each one looks withdrawn, utterly alone.
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